Through swinging doors, she caught glimpses of foul interiors, crowded with men and women released from their toil, taking their evening pleasure. From coloured posters outside the great theatres and music halls, vulgarity and lewdness leered at her, side by side with announcements that the house was full. From every roaring corner, scintillating lights flared forth the merits of this public benefactor’s whisky, of this other celebrity’s beer: it seemed the only message the people cared to hear. Even among the sirens of the pavement, she noticed that the quiet and merely pretty were hardly heeded. It was everywhere the painted and the overdressed that drew the roving eyes. “I may,” answered Joan. “Just to spank it, and put it down again. I’m rather a believer in temptation—the struggle for existence. I only want to make it a finer existence, more worth the struggle, in which the best man shall rise to the top. Your ‘universal security’—that will be the last act of the human drama, the cue for ringing down the curtain.”!

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. A middle-aged sergeant, who had a wound in the stomach and was sitting up in his bed, looked across. “There was a line of Germans came upon us,” he said, “at Bras. I thought I must be suffering from a nightmare when I saw them. They had thrown away their rifles and had all joined hands. They came dancing towards us just like a row of ballet girls. They were shrieking and laughing, and they never attempted to do anything. We just waited until they were close up and then shot them down. It was like killing a lot of kids who had come to have a game with us. The one I potted got his arms round me before he coughed himself out, calling me his ‘liebe Elsa,’ and wanting to kiss me. Lord! You can guess how the Boche ink-slingers spread themselves over that business: ‘Sonderbar! Colossal! Unvergessliche Helden.’ Poor devils!”

A middle-aged sergeant, who had a wound in the stomach and was sitting up in his bed, looked across. “There was a line of Germans came upon us,” he said, “at Bras. I thought I must be suffering from a nightmare when I saw them. They had thrown away their rifles and had all joined hands. They came dancing towards us just like a row of ballet girls. They were shrieking and laughing, and they never attempted to do anything. We just waited until they were close up and then shot them down. It was like killing a lot of kids who had come to have a game with us. The one I potted got his arms round me before he coughed himself out, calling me his ‘liebe Elsa,’ and wanting to kiss me. Lord! You can guess how the Boche ink-slingers spread themselves over that business: ‘Sonderbar! Colossal! Unvergessliche Helden.’ Poor devils!” “I see your argument,” she said. “The more I love you, the deeper will be the fountain. So that the more Love I want to come to me, the more I must love you.” “The business of the journalist,” the man had continued, “is to destroy the truth, to lie, to pervert, to vilify, to fawn at the feet of Mammon, to sell his soul for his daily bread. We are the tools and vassals of rich men behind the scenes. We are the jumping-jacks. They pull the strings and we dance. Our talents, our possibilities, our lives are the property of other men.”